I recently wrote a “note” about recent art exhibitions in Russia and India of art made in response to Aase Berg’s sci-fi epic Dark Matter (and its various translations), and how that book is profoundly visual to begin with, seeming to elicit the Tom Benson collages that were part of the original Swedish edition.
Share this post
The Frenzy of the Visible: On Images in…
Share this post
I recently wrote a “note” about recent art exhibitions in Russia and India of art made in response to Aase Berg’s sci-fi epic Dark Matter (and its various translations), and how that book is profoundly visual to begin with, seeming to elicit the Tom Benson collages that were part of the original Swedish edition.